A great drone piece. Kevin Drumm’s calmer and more meditative work is very appealing, especially with the knowledge of how abrasive and challenging his sound can get.
But what is going on here in terms of the positive or negative mandate in the title? Is there something sinister underneath the calming effects of listening to such a long drone, something lurking that we try not to acknowledge? Is Drumm asking us to forget Sheer Hellish Miasma, providing us with some breathing room, or is he trying to lull us to sleep, where a different set of memories and associations will be confronted? Was he himself trying to forget the darkness of Imperial Distortion with an hour-long come down?
And with the cover, is there a contradiction at work between the cemetery on a bright day, a funereal nod, and the levity of the drone, a too easy equation of forgetting, death, and peace? Is Drumm playing with our desire for placid sound by pointing all signifiers towards the plaintive?